An anti-hero by any other name would still kick ass and go home bloody
I had a great question about villains as heroes that I wanted to share for those of you working in the dark arts section of the card catalog (i.e. dark YA, speculative fiction, horror, etc).
Writers often struggle with creating a nonconventional hero. I first became interested in this when a 74 y.o. librarian I worked with at the public library told me about her favorite TV show "hero" who was a serial killer. The show was Dexter, based on a novel by Jeff Lindsay entitled Darkly Dreaming Dexter (2004). I was fascinated by the concept that readers could love and root for a serial killer. Essentially a villain with an unhealthy dose of rationalization. I wanted to know HOW the writer was able to make a serial killer sympathetic for (mostly) law-abiding readers/viewers.
If you struggle with a nonconventional hero, anti-hero, or Byronic Hero, read on...
STANDARD DISCLAIMER: First and foremost, this is one person's opinion. Publishing is an interesting industry in that there is no ONE right answer. Some is up to genre, some to publisher, some is up to current trends, and some to reader expectations.
Some traits of a tragic hero (aka villain as protagonist aka anti-hero aka Byronic hero aka dark hero):
They're more full-bodied rather than perfectly imperfect (no one really likes the villain with no redeeming qualities...it's too trite). Giving characters imperfections/weaknesses/tragic backstories makes them more rounded, interesting, and relatable.
As definition, an anti-hero is a central character in a story who lacks conventional heroic attributes.
The great thing about Wick is that he's a badass assassin for the mob who got out of the business when he married, but when his wife dies [tragic backstory] and someone kills his dead wife's dog [motivation], Wick comes back with a vengeance, kicking ass and killing pretty much everybody involved.
Wick is in no way a conventional hero. He's a criminal, he's violent, he's ruthless, and yet he has a certain code of conduct. He has loyalty to friends (many of whom do not reciprocate his loyalty). But Wick does have weaknesses. I mean, he can kill with impunity, so his weakness isn't physical (even when he's majorly injured, he still wins), and yet his trust in friendship and loyalty causes many complications. Remember complications? They are the cornerstone of conflict, and conflict is story. If Wick had no weakness, the story would be over in 20 minutes:
Sad death of dog. Kill everyone. The end.
But instead, the writers give him complications and weaknesses that they exploit to make his life more difficult and the story more fulfilling. Readers want the complications. In addition, the weaknesses humanize a character that the average reader may find unrelatable (i.e. a serial killer or mob hitman).
So, to summarize, two possible reasons for giving the villain a weakness are 1) to humanize him and 2) to complicate the story.
If a villain can explode a planet without complication (think Darth Vader in the first Star Wars), where's the conflict? But Vader has many weaknesses hidden behind a horrific mask, and some seriously tragic backstory. For that matter, think Snape from the Harry Potter series (that scene makes me cry every damn time, and for more than half of the series, I hated Snape).
Here's a YouTube video from Troped! that talks more about anti-heroes:
But wait, there's more...
As long as we're discussing nonconventional heroes, let's talk about the Byronic Hero with info from the fabulous site TV Tropes (honestly, you should check them out, but be forewarned, it's a pretty deep rabbit hole):
Byronic heroes are charismatic characters with strong passions and ideals, but who are nonetheless deeply flawed individuals who may act in ways which are socially reprehensible because he's definitely contrary to his mainstream society" ("Byronic Hero" par. 1).
As a general rule, they're highly conflicted heroes (think the comic hero in Grosse Pointe Blank) who ponders and wrestles "with his struggles and beliefs" ("Byronic Hero" par. 1). They often have a tragic back story (sound familiar?). In literature, think Mary Shelley's Frankenstein (the monster or the creator) or The Count of Monte Cristo.
As the earlier video demonstrates, the anti-hero is quite popular in movies, books, and comic books at the moment. Why that's true is open for debate, but I think that the anti-hero exists when we, as a culture, begin to feel that we're getting the shaft (economically, culturally, familial, etc.). We need the anti-hero who doesn't want to or have to obey society's rules/laws. He makes his own rules, and whether you call him villain, anti-hero, or Byronic Hero, he's fascinating, and readers want more of him (or her... think the heroine from The Girl with the Dragon Tattoo).
If you're inclined to read and write dark stories, here's where you can find out more about the dark/anti/Byronic hero.
Writer Reference (Blogroll)
Wired for Story
Genre by any other name
He for She
A Little is Enough
Writing 17 minutes at a time
The Unlisted List:
The best women nonfiction writers.
Aubrey Hirsh' Beginner's Guide to publishing with format templates and more
Agent Query 15 posts on writing query ltrs
Platform Action Plan
Writer, college professor, lover of story, fan of all things bookish. Plus chocolate, because who doesn't love chocolate.