Is there a connection between our lives and the story we are writing?
In an obvious sense yes. And no. Yes, of course it revolves around the writer's experience, but no, it is not a poorly disguised autobiography. I'm reading The Hidden Machinery by Margot Livesey, a gift from my MFA mentor. In the first essay, she discusses both Henry James and E.M. Forester. Forester, she claims, could have finished A Passage to India when he first started the book in 1913. The pieces were all in place, he had four novels under his belt, so he had the skills, but Forester was never happy with it. Until he was.
Why did this novel take Forester longer?
"He needed certain things to happen--a war, a massacre, the discovery of his own sexual nature and of how he too could be corrupted by the white man's power in India--before he knew where the [book] was going." --M. Livesey
He had to mature, essentially, to the point where the novel made sense. He first had to experience the things which would became central to the story.
The writer's life informs and reforms the writing. I could only write Untouchable after going through a hellish divorce. I have a novel in a drawer that languished, waiting for me to get over the hurdle at the first turning point. And since I didn't get through the barrier in my life, the character failed to thrive.
"Both inner and outer events were required before he could write [the] novel."
It's not just physical events, like Forester's return trip to India. It's internal change in the mind and spirit of the writer that impact the writing. I've written eight novels. Seven are published and they are the result of who I was and what I believed at the time they were written. But that one book that's not yet published makes me wonder.
Where do I need to be, what do I need to experience, what must I observe before the book is ready for birth?
What inner or outer events must take place before I feel satisfied with this book? And can I nudge those events into place faster so I can finish it already?
I haven't gotten that far in Livesey's book, but I'm guessing that no, I can't shove myself into the fire to force the inspiration. Instead, I must keep writing and writing, putting in my time and wallowing in the characters, before those internal and external events converge.
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Writer, college professor, lover of story, fan of all things bookish. Plus chocolate, because who doesn't love chocolate.