I'm a big fan of turning points. Well, not in real life, because in real life, turning points are messy things. Turning points are the chaos leading us inevitably into the storm.
My father died when I was thirteen. It was life altering before I was old enough to understand the implications and repercussions of such an event. From that point forward, my life was broken into before and after.
Before my father died:
Turning points are messy things because of the effects they have on our character's lives, as they had in my life, as they have in your life. Turning points are story events that cause the story to turn in a new direction.
The new direction in fiction is typically caused by a choice the character makes (or doesn't make) or a dilemma they face, such as if my mother had chosen to keep living on the "good" side of town by getting married rather than going back to college.
These turning points should lead your character into something new and significantly different. If the choice your character faces is whether to eat dinner at a Chinese restaurant or Taco Bell, that's probably not a turning point, but if the trip to the Chinese restaurant leads our character into China Town where she is faced with a life-changing choice--find the treasure your boss stole or your best friend dies--that's a turning point.
The crossroads in this fake story is the character's before and after, and like those traumatic before and afters in your own life, the character's life will never be the same.
For instance, the protagonist who was just going to dinner with a friend is there to discuss a job offer because she can't work for a dishonest so-and-so any longer, but after her friend is kidnapped, she has to stay with the employer to find the treasure and save her BFF. So the dinner in China Town becomes one of the character's turning points.
In real life, turning points are traumatic, but isn't that exactly what we want for our characters? If the character is not faced with significant turning points and equally disastrous choices, then we may not have a turning point that will keep the reader reading.
In the opening of this post, I said turning points were the chaos leading us into the storm, but the storm is where our character will grow. Give them that opportunity by giving them a worthy turning point.
Writer Reference (Blogroll)
Wired for Story
Genre by any other name
He for She
A Little is Enough
Writing 17 minutes at a time
The Unlisted List:
The best women nonfiction writers.
Aubrey Hirsh' Beginner's Guide to publishing with format templates and more
Agent Query 15 posts on writing query ltrs
Platform Action Plan
Writer, college professor, lover of story, fan of all things bookish. Plus chocolate, because who doesn't love chocolate.