Hercules, The Rock, and the power of myth

I've studied Joseph Campbell's The Hero with a Thousand Faces and Christopher Vogler's The Writer's Journey, and if that weren't enough, I've tortured my children and made them study both books (it's never too early to learn story structure, everything from video games to teen melodramas revolve around story).  PLUS (pity my children), I've had them study Greek Mythology.  So going to see Hercules was a no-brainer.

And I'm not going to discuss story or heroes of anything of the sort (no, that's a lie, I just reread this, and I kinda/sorta discuss it, but not in an academic way).   

Because....

The power of myth is important, and certainly relates to the idea of "romance and other fairy tales."  Mythology, Greek or otherwise, is the basis of our human story structure.  It's the way we're wired to tell stories and the way we're wired to hear them.  God bless the Greeks, they discovered something that took us centuries to relearn and reclaim.  Myth is story, from Twilight to Gone with the Wind to everything Shakespeare.

Of all the stories, I think we're especially drawn to dark heroes (Rhett Butler, anyone?  So much more interesting than Ashley Wilkes).  I'm currently writing a dark hero who happens to be female, and she has struck a chord so deep in me, I can barely wrest myself from the laptop.  I wrote 10,000 words yesterday (not typical for me), tears streaming down my face, because she is so broken and so flawed and so human.  I have a deep seated NEED to know what happens next.  Broken people don't respond to stimuli in ordinary ways.  

Dwayne Johnson's Hercules is no less broken.  He is a product of the 12-labors, a result of his dead family, and he has sold his soul because everything he valued is gone.  His crew is equally flawed, equally broken and equally fascinating.  Maybe I like flawed characters.  No maybe.  It just is.  I am intrigued by Ingrid Berdal who plays the Amazon female who is a serious kick-ass heroine (also significantly younger than the men in her crew, but that's a Hollywood thing), but I am more drawn to the English professor type, of which there is no shortage.  Ian McShane plays Amphiaraus and the voice you hear in the trailer.  He could read the TV guide and I'd listen.  Rufus Sewell of the gravelly voice (a personal weakness) is the epitome of the handsome English Prof (also a personal weakness).  Why is it men in Hollywood age so well?  And there's Dwayne Johnson who flat takes your breath away.  The man knows how to work his body.  The statue of David has nothing on this man.

I don't know what the critics have said or will say about this movie.*  I don't care.  I go to movies for escape (not unlike the Romans who went to the amphitheater for blood and gore).  I want a story with the power of Calgon to "take me away."

Hercules took me away.

"Are you only the legend?  Or are you the truth?"  When The Ian McShane character has his monologue near the end (lovely part), he asks of Hercules what we should ask of ourselves.  "You don't have to be a demigod to be a hero."  You just have to act heroic.  

Enjoy the movie.  There are enough accents, beautiful people, and one-liners to satisfy anyone, and if that's not enough, the fight scenes are pretty cool.  Mythic, maybe. :)

Ok, I lied.  When I went looking for a link, I glanced the following quote (I tried not to look, but it was highlighted with bold letters):  "Oafish pleasure."  Get a grip Mr Hollywood Critic.  You're too full of yourself.  Remember the line from Trix cereal.  "Trix is for kids."  Hercules is for real audiences.  It's about pleasure.  Oafs like this critic need not apply.  

Sorry, short rant, couldn't be helped.  I'm not a fan of critics, but my mama raised me with the adage:  "If you can't say anything nice, don't say anything at all," to which critics do not ascribe (and therefore don't earn its protection).  I'm not a critic.  I talk romance, myths and fairytales because I like them.  I'm an easy audience.  Plus, I don't talk about movies I don't like.  End of story.